Toto and Friends – A Yacht Rock Special

Posted on July 23, 2025 by Rockstar Culture in Concert Reviews // 1 Comment

▣Coca-Cola Amphitheater | Birmingham, AL ▣Sunday, July 21st 2025
▣Photographer/Journalist: Dani B.

As Birmingham’s newest location for live music, the Coca-Cola Amphitheater has been the place to be this concert season so far. Nestled in the heart of downtown Birmingham, the amphitheater offers fantastic views of the city skyline and natural beauty and is a can’t-miss southern destination for locals when it comes to heavy-hitting performances.

My excitement flared for tonight’s show as I had yet to check this place out. That being said, no better show to kick things off with than Toto’s 2025 US Tour! This show has been on my calendar since the moment I saw it on my Ticketmaster app, and while some might call it a “yacht rock” special event, there’s something deeper than that surface phrase that just doesn’t encapsulate without bearing witness. These songs have been present for many of our lives, with me personally recalling memories of their music played on reruns of Kasey Cassum’s American Top 40. We have all connected to this era of music to some degree or another, and I think seeing them live is the best way to experience that full circle moment in life.

Men at Work delivered a nostalgia-filled performance as the opening act, effortlessly warming up the crowd with their easily recognizable blend of reggae-infused rock and quirky lyricism. Led by Colin Hay, the only original member of the initial 1979 lineup, the band jumped right into deeper cuts to really get the crowd going. As their set went on and approached its end time, they whipped out their biggest hits, including “Who Can It Be Now?” and “Down Under,” which had fans on their feet and singing along from the start. Though decades have passed since their heyday, their sound remains crisp, tight, and infectiously fun—Hay’s vocals, in particular, still carry that distinct tone that made the band iconic.

What stood out most was their ability to bridge generations. While older fans relived memories, younger attendees were just as engaged, drawn in by the band’s stage presence and polished delivery. The set was both a celebration of their legacy and a reminder of their musicianship, proving that Men at Work isn’t just a nostalgic novelty—they’re seasoned performers who know how to start a show on the right foot.

Christopher Cross took to the stage and delivered a beautiful set full of hits and classics. Five songs were off of his 1979 debut album, while the remaining numbers served as a reflection of his career. Admittedly, I didn’t know too much about him prior to tonight, but I was mesmerized by his stage presence; he is understated, well-mannered, and all in all an incredible performer. Cross’ guitar work was on point and downright in a class of its own, and it felt like he made it an extension of himself. It was as if he was using it as a tool to speak a different language that you had to be there to truly understand in full. The man has put effort into being proficient in his craft, and it shows! Although Cross’ voice may not reach all the high notes as it once did, there is still a blissful sense of purity and beauty in his vocals that one can’t help but feel drawn in by. His style is incredibly refined, and his ability to carry a tune is simply immaculate.

Backed by an equally talented ensemble of musicians, the band’s ability to reproduce these songs was certainly a wonderful addition to the opening performance. The trio of backup singers did an amazing job grooving, dancing, and just having a great time delivering those lush harmonies that really kept the vibe going. Of the supporting musicians, his pianist Jerry Leonide completely stood out as someone very clearly passionate about what he does. There is something to be said about the sound of a grand piano in an outdoor amphitheater, as it really amplifies the resonance and overall sound. Every member of this band is top-notch and in a league of their own. Christopher Cross’ set was nothing short of a magnificent spectacle that evoked every emotion an opening set should and, quite honestly, swept me off my feet. The only word that I’m left with to describe this set is “spectacular.” I highly encourage attending this tour for Cross alone, as it’s one of the finest displays of songwriting, performance, and music.

At this point of the night, anticipation for Toto is higher than the Empire State Building. Both the venue and the band were well aware of this, so they wasted no time moving forward with the show. As Toto’s intro tape runs, the band takes to the stage to a ferocious cheer as the band starts off with “Child’s Anthem” from their 1978 self-titled debut. Steve Lukather is smiling from ear to ear as he takes in the giddy faces beaming back at him, and you can absolutely tell there is magic in the air. You can feel this will be a fun show.

I already know what you’re thinking—NO, the current lineup, not the original. However, the band has seen some of the most amazing musicians throughout its history, such as vocalist Joseph Williams (joined the band in 1986 for their ‘Fahrenheit’ album). Williams is the band’s second longest-standing member and Lukather’s good friend. Joining these two talents in the current lineup are Greg Phillinganes (keyboards), Warren Ham (sax and percussion), Shannon Forrest (drums), John Pierce (bass), and Dennis Atlas (keyboards). All of whom have played with other notable talents in the music scene and have some solid individual accomplishments to speak for. Vocals are mainly shared between Lukather and Williams, with Phillinganes occasionally contributing if the song required it. Harmonies were lush, and the show was filled with little jam sessions that evolved into these versions of the radio hits that felt otherworldly.

It only took the opening notes of song three for my heart to get excited. That song was “Rosanna,” and it brought almost everyone at this seated show to their feet. The energy in the Coca-Cola Amphitheater was incredible, and from there it was impossible to be anything but engaged with the show. I would describe this show as a display of some of the finest guitar work I have seen in recent times. It is no wonder Steve has been one of the most sought-after choices in album recording for some of music history’s timeless and most important albums. He brings his A game despite all odds.

The set celebrates the band’s career and treats all attendees to an amazing collection of classics and deep cuts that are clear-cut, identifiable, infectious, and (most important) melodic. It was mind-blowing to me how they can float in and out of style yet remain one hundred percent Toto. Breathtaking solo moments of the night include Greg Phillingane’s taking the lead on keyboard. The man is an absolute master at his craft, and this was evident as I watched his hands glide across the keys with speed and precision. The only thing that could have enhanced it would have been to hear it played on a grand piano, but I got my fill of that from Christopher Cross’ set. Denis Atlas, the second keyboard player, delivered a solo that was not only impressive in performance but also an expedition through sounds and took on a more progressive and experimental approach. Atlas has a presence on stage that is larger than life, and it wouldn’t surprise me in the slightest if he dabbled in theater in his free time. Despite being the newest member of the band, his chemistry with the group makes it look as if he has always been there.

The band’s two biggest hits were saved for last: “Hold The Line” and “Africa.” As I looked around the arena, it was refreshing to see all ages there rocking out to these powerhouse hits. Sure, you had the older demographic, who likely had seen all 3 acts in their prime, but the younger demographic was out in force and really set the tone for the audience. Guess that goes to show that when you’ve created something great, your impact will connect with multiple generations. That’s what I think I love the most about this band.

The setlist for this show was a celebration of the first twenty-two years and ten albums from the band. A perfectly collated selection from the first song to the grand finale. The hits were song after song, and the inclusion of “99” from ‘Hydra’ was a great surprise, as it’s rarely played live. I urge you to see this show—you will not be disappointed.

Check out our contributor photographer, Dani B. photos now!