Sweet with a Splash of Heavy: Vana Takes Over Chicago’s Bottom Lounge
▣Bottom Lounge | Chicago, IL ▣Friday, May 1st, 2026
▣Photographer/Journalist: Pedro Diaz
The Sabrina Carpenter of the rock/metal scene, Vana has quickly carved out a space all her own – where polished pop sensibilities are dragged through distortion, screamed over breakdowns, and rebuilt with a heavier edge. Balancing catchy melodies, emotional lyricism, and explosive live energy; she delivered a performance in Chicago that kept the crowd locked in and, by the end of the night, clearly wanting more. Before Vana even stepped on stage, the night at Bottom Lounge was for the show to start the lineup had rising opening bands that each brought their own distinct energy and style to the room.

First up was RedHook, who immediately set the tone with high energy and attitude. Their blend of aggression and catchy hooks warmed the crowd up quickly, breaking any early hesitation in the room. What made them stand out was how their set felt almost like multiple acts in one. From the opening track “Bomb.com,” the energy was explosive – flashing lights, infectious lyrics, and a club-like atmosphere pulled the crowd in instantly. But as the set progressed, the energy shifted in dynamic ways, highlighted by frontwoman Emmy Mack, who appeared in different stage outfits throughout. It was a small detail that made a big impact, keeping the performance visually engaging and holding the audience’s attention from start to finish.

Next, Deadlands shifted the atmosphere into something darker and more emotionally intense. Their set leaned into heavier textures and the raw vocal delivery of Kasey Karlsen, adding both weight and depth to the night while keeping the audience fully engaged. From moshing to a full-on wall of death, they maintained a strong connection not only within the band, but also with the fans in the crowd. Deadlands clearly knew exactly how to get the room riled up, and by the end of their set, it was hard not to be excited about the future of the band and hearing more music to come.

Then came Chandler Leighton, who brought a contrasting softness that still carried emotional weight. Her performance balanced vulnerability with control, giving the crowd a moment to breathe while still staying connected to the overall energy of the show. Overall, the set felt especially special, particularly toward the end with the song “Waiting for You to Heal.” I still get chills thinking about it. It wasn’t just me – the performance moved others in the room as well, bringing some to tears and leaving many speechless. It’s a genuinely beautiful, healing song.
By the time Chandler Leighton wrapped her set, the crowd was ready for all hell to break loose. The venue lights cut out, red lights flooded the stage, and Vana took everything to another level.
Visually Vana made just as strong of an impact as she did sonically. Stepping on stage in a striking red dress, paired with her signature bright red hair, she immediately became the focal point of the room. Before “Prey” even began, the stage was washed in deep red lighting, setting a dark, almost ominous tone. The band members appeared in masks, adding a layer of mystery and intensity that made the entire opening feel more like a full production than just the start of a set. It was a moment that perfectly captured what makes Vana stand out – her ability to blend aesthetic, atmosphere, and sound into one cohesive experience.

One of the night’s standout highlights came with her newer track, “In Your Name.” Live, the song hit even harder, balancing catchy, almost pop-like melodies with heavy breakdowns that shook the room. The contrast felt effortless, and the crowd responded to every shift, proving just how strong the track already is. If this performance was any indication, “In Your Name” could easily become one of her defining songs moving forward.
By the end of the night, it was clear that this wasn’t just another tour stop – it was a statement. For an artist still building toward a full-length debut, Vana performed with the confidence and control of someone already deep into their career. Every element – from the visuals to the vocals. Felt intentional. Leaving little doubt about the direction she’s heading. With a full album expected later this fall, her first headlining tour feels less like an introduction and more like the beginning of something much bigger. If her performance in Chicago at Bottom Lounge proved anything, it’s that Vana isn’t just rising—she’s arriving. And if this show was any indication, the next time she returns, it’ll be to an even bigger stage with an even louder crowd waiting for her.
Check out our contributor photographer, Pedro photos now!
REDHOOK














DEADLANDS












CHANDLER LEIGHTON











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